Saturday 16 December 2017
(1st half 55 minutes, interval 20 minutes, 2nd half 50 minutes, concert ends at 9.15pm; please note earlier than usual start time)
The Church of St Peter and St Paul, Lavenham
Bach: Christmas Oratorio
Fae Evelyn soprano
Valerie Reid mezzo-soprano
William Wallace tenor
Tom Asher baritone
Bury Bach Choir
Suffolk Baroque Players
Philip Reed conductor
Bach and Christmas were made for each other. In a stream of festive choruses, chorales and arias, with some of the loveliest orchestral colours to be found in all Baroque music, Bach’s glorious oratorio is a life-giving, joy-enhancing experience – the perfect way to start your Christmas celebrations.
Bach composed the six parts of his Christmas Oratorio for performance as part of the Lutheran liturgy during the Christmas period 1734–5, beginning on Christmas Day and ending on the Feast of the Epiphany (6 January). We shall perform four parts: Parts 1-3, which describe Jesus’s birth, the announcement of his birth to the shepherds, and the shepherds’ adoration in the stable; and Part 6, which relates the story of Herod’s questioning of the Magi and the Holy Family’s flight to Egypt.
For this performance in the atmospheric surroundings of Lavenham Church, we are joined by the period instruments of the Suffolk Baroque Players and a stellar quartet of soloists, including international mezzo-soprano and Bury Bach Choir co-president Valerie Reid.
Drinks will be available during the interval.
Booking opens 4 September 2017
Tickets £20 and £15 (all seats unreserved)
Early booking discount £1 off all tickets booked by 18 November 2017
Tickets also available for cash from
Lavenham Tourist Office, Lady Street, Lavenham and
Lion House Gallery, High Street, Lavenham
Saturday 6 April 2019
St Edmundsbury Cathedral
Tickets now on sale
Saturday 15 June 2019
The Apex, Charter Square
Tickets now on sale
2019/20 Concert Season
Shop at smile.amazon.co.uk and Amazon will help the choir. It costs you nothing!
The Choir’s purpose is “to prepare and give public performances primarily of the core choral repertoire, using professional soloists and instrumentalists, to the highest possible standard”.